28
S TEP H E N
L A C K
f e a t u r e
By Crystal Chan
M
ontreal.
The end of the summer.
1946.
End of the war.
” Stephen
Lack here describes the conditions of his own birth.
“The war was over and there was room for me.
”
Indeed, born a...
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28
S TEP H E N
L A C K
f e a t u r e
By Crystal Chan
M
ontreal.
The end of the summer.
1946.
End of the war.
” Stephen
Lack here describes the conditions of his own birth.
“The war was over and there was room for me.
”
Indeed, born a decade earlier or later and
Lack wouldn’t be Lack: a painter/former actor/
rogue artist whose work focuses precisely on the
bridge between the violence of modernity and
the American dream which it gave birth to.
“Stephen Lack is David Hockney viewed
through a soft filter,” a guest muses at the
Montreal opening of Lack’s latest show, Galerie
Pangée’s Drive-By.
Take a look at Lack’s “Pool at
Dawn” and it is pretty clear where the comparison comes from.
Like Hockney, Lack is a neo-expressionist
who depicts urban “American Dream” scenes.
The two also share a penchant for vibrant
colours.
With their candy-coloured palette and
often light and visible strokes, Lack’s paintings can often incorrectly come off as simple
o
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